New Delhi – A night filled with laughter, wit, and remarkable performances unfolded at Meghdoot 3, as the second-year students of MIT ADT University’s Department of Theatre took center stage with Kanjoos, the Hindi adaptation of Molière’s classic comedy The Miser, at the prestigious 25th Bharat Rang Mahotsav (BRM). Directed by Dr. Amol Deshmukh, Head of the Theatre Department, the play received overwhelming appreciation from both audiences and critics alike.
Molière’s The Miser, a timeless satire from the 17th century, has been skillfully adapted into Kanjoos, maintaining the original humor and eccentricity while infusing cultural relevance that deeply resonated with Indian audiences. The play follows the story of Mirza Shaikh, an excessively frugal and obsessive character, whose paranoia over his wealth leads to a cascade of misunderstandings, conflicts, and hilariously chaotic situations.
From the very first scene, Kanjoos captured the audience’s attention. The young actors displayed impeccable command over their roles, bringing their characters to life with energy and precision. The protagonist, Mirza Shaikh, delivered a stellar performance, showcasing expert comedic timing. His expressive body language, nervous ticks, and dynamic facial expressions brilliantly portrayed the idiosyncrasies of a miserly man obsessed with his fortune.
However, the true show-stealer of the evening was Nambu, a side character who had the audience in stitches with sheer talent and exceptional characterization. Played by a female actor, Nambu’s mischievous charm, physical comedy, and effortless dialogue delivery made her an instant favorite. Her expressive gestures, impeccable timing, and commanding stage presence added an intriguing dimension to the play, highlighting the versatility of the performer.
Beyond the lead characters, every member of the cast contributed significantly to the production. The romantic subplot, clever servants, and meddlesome personalities surrounding Mirza Shaikh blended seamlessly, creating a dynamic and engaging performance. The chemistry among the actors was evident, with their interactions appearing smooth and natural, ensuring that no character felt out of place.
One of the standout aspects of Kanjoos was its well-orchestrated ensemble performance. The interplay of sharp dialogues, dramatic irony, and comedic caricatures showcased the actors’ deep understanding of their roles, a testament to their rigorous training at MIT ADT University’s Theatre Department.
Visually, the production was kept simple yet effective. The set design transported the audience into the world of Kanjoos without overwhelming them with excessive props. The strategic use of lighting amplified the dramatic moments, while vibrant costumes enriched the characters’ personalities. The aesthetic choices were well-aligned with the humor, allowing each scene to shine with clarity.
The selection of Kanjoos for the 25th Bharat Rang Mahotsav, India’s premier international theatre festival organized by the National School of Drama (NSD), was a significant achievement for MIT ADT University’s Theatre Department. Chosen after rigorous screening among thousands of other plays, the performance at BRM reaffirmed the students’ dedication and the department’s creative vision.
The participation in BRM provided students with a prestigious platform to showcase their craft before a diverse audience, including theatre enthusiasts, scholars, and fellow practitioners. The experience also exposed them to various theatrical expressions, broadening their artistic perspectives and enriching their journey as performers.
